Authoritative source, reproduced unchanged. Exact Markdown · Agent copy with resolved links. These instructions govern research runs, not checkpoint interviews.
Stage C3. The model against the literature.
Model: as arm.json sets for this stage
(your platform file lists the model and effort). Legs:
one per shelf pass (contradicting work; resembling work, with the
concept; the four problems), closed at the pass's end or earlier when
you choose; every recut the literature forces is logged and snapped when
it is made (§6). Fleet: none.
Steps: C3a the contradicting shelf;
C3b the resembling shelf; C3c the four
problems (§1's claim put to the structure), the handback and the
interview. Each leg is named by its step (STANDING §2).
Safe stops: after each logged recut, and after each
shelf pass. At a safe stop, check for .pause
(ls .pause); if it is there, log where to pick up, your
working hypothesis and the next room or item
(mem.py log "<hypothesis>; next: <item>" --kind pause),
and close with done.sh C3 --pause (STANDING §2).
Startup packet: _head.md, this file,
the last five diary entries, validate.py --open C3. First
leg: the explanation shelf arrives, its read tier shipped with this
stage and its on-request tier listed one line each
(mem.py shelf --list,
mem.py shelf <name>); prior.md, read
before anything else; concept.md; notes-A1.md,
opened only at §7.
Reads allowed: every shelf that has arrived (nothing
served once is taken away); model/, model.md,
structure.md, dimensions.jsonl,
fourth/fourth.jsonl, concept.md,
findings.jsonl, prior.md; the store through
mem.py (where, codes --third,
after); rooms by query for a check, and rooms whole through
the verbs for an abductive read (§1); quotes through
cite.py. Forbidden: rewriting the story
(that is C5); opening field/, which arrives at stage C4;
renaming a third-order theme after a construct (contract §1); a change
from a read of the corpus that is not flagged abductive
with the paper that prompted it (§1); the canvas as an undeclared ground
(rule 7).
Outputs: literature-C3.md;
findings.jsonl lines with literature ids;
mapping-C3.jsonl; mechanisms rewritten in
model/arrows.jsonl, each a model/history.jsonl
line; wherever this stage changes something, model-C3.md,
structure-C3.md and concept-C3.md, each a
whole file superseding the stage C2 file (rule 18; a file holding only
what changed is read downstream as the whole thing), and
manifest-C3.txt, one line per stage C2 file saying whether
it has a stage C3 successor, which stage C5 reads first; a recut is not
a superseding file: the tier file is amended and the superseded line
goes to tier_history.jsonl, as stage C2 says; when the
third-order tier is recut, scheme_v2.jsonl and
assignments_final.jsonl rewritten
(mem.py mint, then mem.py reassign, as stage
C2 says); notes-C3.md.
1. The sequence, and the log point
Nothing is read against the explanation literature before
this stage (contract §4). Within it, read
prior.md first, and restate in
notes-C3.md what you expected; read after a conclusion has
formed, it can no longer tell a finding from a prior. Then, before you
open the shelf, re-read METHOD.md's first section and every
shelf already held (mem.py shelf): the v35 analyst had
forgotten the method shelf by the time the next arrived, and an
explanation read on a forgotten foundation is a relabelling waiting to
happen.
Record where the read logs stand before you open the
shelf: the line counts of _cite_reads-C3.jsonl and
_mem_reads-C3.jsonl, in notes-C3.md and
logged. Count them yourself; cite.py's sequence counter
resets when the tool is constructed. From there on, a read of
the rooms prompted by a paper is an abductive read, and it may add or
change a theme or an arrow, as Gioia, Corley and Hamilton cycle
between the data and the literature. Log it before you read
(mem.py log --kind abductive, the paper and what it made
you look for). A change it makes carries "abductive": true
and "prompted_by": "<author year>" on its
model/history.jsonl or tier_history.jsonl
line, and is listed in literature-C3.md, so a reader can
tell what the rooms showed unprompted from what a paper made you find. A
read to check a quote or a count is not abductive and carries no flag.
The log records what was served and not why, so it cannot tell a check
from an abductive read you did not log; say so in
literature-C3.md.
If a work changes what a claim rests on, write a switch
record (Günther, Joshi and Constantinides 2026, p. 872;
contract §1, two kinds of claim), one paragraph in
literature-C3.md per switch: the work and the cue that
triggered it; what moved (a claim that rested on the rooms' words now
rests on a pattern across rooms, or the reverse; a name that was the
participants' now the literature's); which earlier work is redone or
rechecked, with the leg that does it; what differs in the output; why
the state after the switch serves the claim better; and the
findings.jsonl line that supersedes the earlier one (rule
14). A reading that leaves every claim resting where it rested is not a
switch and gets no record; this stage's planned reading is the design,
never a switch.
Say in notes-C3.md, first, that the
literature is read after the model and not through it; it is the design,
not a departure, and no departures.jsonl line is written
for it. Then say whether the substitution worked: whether knowing the
contract's §1 frame and not building with it was a distinction you could
hold while writing the scheme and adjudicating its placements.
2. How to cite
Mark every claim about the literature one of two ways:
verified, you opened it on the shelf in
this session and can quote it; recalled,
you are working from what you know, with author, year and the claim you
are attributing, so a reader can check it. A work on the on-request tier
is recalled until served. Do not invent a
reference, a title, a year or a quotation, and do not attach a real
author to a claim you are not sure they made. Where you are
unsure, write I believe this literature holds X but cannot verify it
here and carry on.
3. Leg 1: work that contradicts the model
Work that reports the opposite of what you found, or that explains
your phenomenon with something you did not use. For each: the two
claims, one sentence each; what in the record decides between them, with
a room and a quote through cite.py or a transition; and
which of three things is true: the accounts disagree about the world,
they disagree about the setting, or they are about different things and
one of you has the wrong name for it. Say which. Then whether the
disagreement bounds your claim (a condition, rule 16, written into the
finding) or the work's (a scope this material falls outside). A
contradiction you cannot decide from the record is reported as open,
with what would decide it.
4. Leg 2: work that resembles the model
4a. Distant fields, and the mechanisms
This is the pass that supplies mechanisms. Take your
model's arrows, particularly the ones whose mechanism you
found hardest to write, and ask what other literature describes the same
move, going deliberately outside organization studies. For each match:
what the distant work holds the mechanism to be, and whether it fits
here. For each resembling work: what it names that you named differently
(the fourth-order theme or dimension, its declaration updated under §6);
what it explains that yours does not, and the reverse.
Where it fits, rewrite that arrow's mechanism in
model/arrows.jsonl and in model-C3.md, keep
the stage C2 sentence beside it as mechanism_C2, mark the
arrow mechanism_source: from-literature with the work
named, and write the model/history.jsonl line.
Stage C5 takes each mechanism from the arrow that grounds it; one left
only in literature-C3.md is invisible downstream. Re-read
mechanism_fails_if against the new sentence; a mechanism no
observation here could show failing makes the arrow theorised, listed
apart.
Where the distant work predicts something here you have not looked for, that is an abductive read (§1), logged before you read. Test it, record the result either way, and say whether it qualified, bounded, added or changed an arrow or a theme. If you decline the read, say why.
4b. The concept
Stage C2 named a concept and guessed at its nearest existing referent from recollection. Test the guess against the shelf, the difference stated so a reader could test it. Three outcomes:
- It survives. The literature has no adequate referent. Say what the nearest three are and how each falls short.
- It is a relabelling. Adopt the existing name, rename the concept as borrowed, and say what your material adds, usually a setting, a boundary, or a mechanism the original did not have; the finding says so.
- It is a relabelling and adds nothing. Then the study produced a description and the model stands without a named concept at its centre. Write that; stage C5's propositions do not depend on a concept surviving.
If this pass changes the concept, write concept-C3.md
whole and leave concept.md standing.
5. Leg 3: the four problems, put to the structure
The contract's §1 claim is that every group with a goal must solve four problems, task division, task allocation, reward provision and information provision, whether or not anyone says so. The definition assumes a goal; establish from evidence whether each group inherited, negotiated, contested or changed its goal (Felin and Zenger 2016 and 2017 put that gap, the chosen problem, at the centre of strategy). Put the claim to your structure and model as they stand; do not revise them to accommodate it, and be specific enough to be wrong.
The one written operation (contract §1): for every
fourth-order theme, which of the four problems it is a way of handling,
or none, one line in mapping-C3.jsonl with a clause of why;
the mapped set is the match, the unmapped set the remainder, and each
mapped problem carries the sentence saying what this material's version
of it cannot do. A fourth-order theme that already carries one of the
four's names under its declaration answers this pass by construction;
say so first, and what the pass asks of it is that sentence, and whether
the frame's version would have cut the theme where you did. Treat the
remainder as a candidate extension. Test whether it is a different
mechanism, a renamed instance, a change of level or an evidence gap. An
empty remainder is allowed.
{"fourth": "T4-003", "problem": "division|allocation|reward|information|none",
"why": "...", "cannot_do": "..."}Two limits. Your evidence is talk and the claim is about arrangements: a group can allocate work perfectly and never write a word about it, and the contract's §5 holds you to organizing done in public. And there is no denominator: you have the share of coded records that maps onto each problem, confounded as §5 describes, not the share of groups that solved it.
Answer in seven parts, in literature-C3.md:
- What you expected, quoted from
prior.mdrather than remembered: which of those things you found, whether any turned up only where the material was thin, and whatprior.mdholds that your structure has no room for. - What in your structure speaks to the claim, fourth-order theme by fourth-order theme from the mapping, with counts and rule 5's gate, and for each whether the material put it there or you did.
- What your structure carries that the claim has no place
for, the remainder, if any. Explain why it extends the
framework. Be specific, and quote through
cite.py. - Which of the four your structure reaches richly, which thinly, and which not at all, and for each thin or absent one whether the limit is in the material, in the coders' selection, or in your own pruning. Where one comes back nearly empty, take a side: did these rooms not solve that problem, or can your instrument not see it? Say which you think and why. Stage E1's account of what the study cannot say inherits this paragraph directly.
- The goal. Where in the structure and the model the making of a goal sits, its contest and its change, and what its setting did to the four problems; a finding, never a premise, and if the structure has no place for it, say so as a finding about the structure.
- Whether your material supports the claim, contradicts it, or is silent, with §5's warning on every count: a claim about what is absent here is a claim about small rooms writing in public, and every absence claim is marked weak.
- Whether the claim is answerable with this material at all. The structure does not speak to this is a complete answer.
6. Keep the construct declarations current
Where the shelf shows a construct is borrowed or adapted rather than
coined, or mistaken for a construct you had not named, amend its
construct block (stage C2 §2) and log the event, with the
sentence saying what this material's version cannot do wherever the name
is borrowed; the third-order themes stay descriptive and do not change
here (contract §1). Record what changed in
structure-C3.md.
You may recut fourth-order themes and dimensions here, and
the third-order tier too, under rule 11 (a third-order recut is
written as stage C2 says: scheme_v2.jsonl and
mem.py reassign), and stage C2's rule on the dimension tier
holds through every recut: no number is set, a fourth-order theme may
gather under no dimension, the dimensions hold apart pairwise, and
collapsing to one is examined with its candidates and runner-up, never
an automatic failure or an answer; a recut that empties the tier is
reported the same way. Every findings.jsonl line a recut
touches is re-examined in the same act (rule 14). A literature that
shows a fourth-order theme holding two things the field keeps apart
means the cut was wrong. Amend the rule first, append the event to
tier_history.jsonl with its move and one clause of reason,
amend the tier file, re-place what the amendment touches yourself under
the amended rule, redraw whatever depended on it, and log the move
(mem.py log --kind move) and snap it
(python3 tools/snap.py C3 move-<move>-<n>) as
you make it.
What changes, and what does not. A finding changed
by a recut says in findings.jsonl what changed it (rule
13). Nothing in the model is withdrawn because a work says otherwise; it
is bounded, or the disagreement is printed beside it.
7. Stage A1's three sentences
Read them now, from notes-A1.md, for the first time
since. Say in notes-C3.md which of this stage's conclusions
you would have reached anyway and which the material forced.
Moments to log
The log point; each work read and what it did to which claim,
verified or recalled; the abductive read, with
its paper and what it changed or did not, or its refusal; each switch
record, or that none was needed; each mapping line; each declaration
amended; each recut by move; the three sentences read.
Final message
The claim (what the literature changed about the model), the room
that best supports the model's side, the room that most threatens it,
and the condition that separates them. Then: works contradicting and how
each resolved; works resembling; the one distant field that supplied a
mechanism; findings bounded and changed; declarations updated and names
changed; whether the concept survived; how much of prior.md
came true; fourth-order themes mapped to each problem and the size of
the remainder; files with a stage C3 successor; citations
verified and recalled; the log point at which
this stage began; the licences exercised and not (METHOD.md).
Close
done.sh C3 at the end of every pass, or earlier when you
choose, every recut logged and snapped as it was made; paste the
close-check report into notes-C3.md;
handback-C3.md; the head; the closing diary line.
Interview point. C3c writes
out/interview/C3c.md (under 800 words: what you did, what
you found, what surprised you, what you doubt, and the three questions
you would most like to be asked) and closes with
done.sh C3 --cut interview: the model read against the
literature: what it borrowed, what it contradicts, what no paper has.
The principal investigator may talk with you here, in a fork of this
leg, run in a copy of your folder as it stood at the close (not
read-only; nothing done there reaches the run); the run goes on from the
cut either way. done.sh files the brief under the leg, the
stage, the step and the minute, and refuses the cut without the brief
(and, at a stage's end, without the handback).